首页|真情、创化、时间与直觉——朱谦之唯情哲学视域下"艺术情本论"要义探析

真情、创化、时间与直觉——朱谦之唯情哲学视域下"艺术情本论"要义探析

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在中国艺术理论的发展进程中,以情论艺者不乏其人,朱谦之属于20世纪初中国"艺术情本论"的倡导者.与一些学者对西方"艺术情感论"的介绍性传播不同,朱谦之吸收西方哲学与艺术中的情知、情见,挖掘中国传统文化中的情思、情识,以西启中、以中补西,于唯情哲学的精微之思中重观艺术,提出"艺术情本论",其观点极具思想性、探索性和时代性.从真情、创化、时间与直觉诸点入手,探究唯情哲学视域下朱谦之"艺术情本论"的要义,可在揭橥其观点要旨的同时丰富对20世纪初中国艺术有情论的研究内容,凸显其观点在学术史、文化史上的价值.
Qing(情),Innovation,Time and Intuition:An Analysis of the Essential of Qing-based Art Theory under the Perspective of Zhu Qianzhi's Philosophy of Qing
In the development process of Chinese art theory,there is no shortage of people who"discuss art with emotion".Zhu Qianzhi was one of the advocates of the"Qing-based Art Theory"in early 20th century China.Unlike some scholars'introductory dissemination of the Western theory of"artistic emotions",Zhu Qianzhi absorbed the emotions and knowledge from Western philosophy and art,excavated the emotions and knowledge from traditional Chinese culture,enlightening Chinese artistic theory with Western thoughts and complementing Western artistic theory with Chinese thoughts.He re-examined art in the essence of the philosophy of emotions and put forward the"theory of artistic emotions",which is highly ideological,exploratory,and contemporary.Starting from Qing,innovation,time and intuition,exploring the essence of Zhu Qianzhi's"Qing-based Art Theory"from the perspective of emotional philosophy can enrich the research content of Chinese art emotion theory at the beginning of the 20th century while revealing the essence of his view,and highlight the value of his view in academic and cultural history.

Zhu QianzhiQing-based Art TheoryQingcreationtimeintuition

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河北大学艺术学院

朱谦之 艺术情本论 真情 创化 时间 直觉

2025

艺术传播研究

艺术传播研究

ISSN:2096-8183
年,卷(期):2025.(1)