扬州职业大学学报2024,Vol.28Issue(2) :6-12.

词变与时变:吴鼒与扬州词坛的"一萼红"倡和

Wu Zi and the Responsive Creation of Ci Poetry in Yangzhou Using a Tonal Pattern and Rhyme Scheme Named A Red Bud

尹子豪
扬州职业大学学报2024,Vol.28Issue(2) :6-12.

词变与时变:吴鼒与扬州词坛的"一萼红"倡和

Wu Zi and the Responsive Creation of Ci Poetry in Yangzhou Using a Tonal Pattern and Rhyme Scheme Named A Red Bud

尹子豪1
扫码查看

作者信息

  • 1. 苏州大学,江苏苏州 215123
  • 折叠

摘要

《百萼红词》为吴鼒晚年寓扬所作,词多伤逝感旧.在嘉庆后期扬州风雅际会的环境中,吴鼒以"一萼红"为调与吴锡麒、汪端光、洪梧等词友相倡和,将个人、群体与时代走向没落的伤感共鸣弥散于扬州词坛."一萼红"倡和诸人门户近于浙西,欲救乾嘉浙派之流弊,他们鼓扬性情词风,注重真情、追求个性,于现实生活中寻找寄托,使因革中的浙派新声与新兴的常州词派并举,回应着时代衰歇对个体心灵与社会政治的震荡.

Abstract

One Hundred Red Buds Ci Poetry was written by Wu Zi in his later years in Yangzhou,with a pre-dominant theme of sorrow and nostalgia.During the late Jiaqing period in the culturally affluent Yangzhou,Wu Zi engaged in poetic exchanges with his fellow poets such as Wu Xiqi,Wang Duanguang,and Hong Wu,using A Red Bud as the tune.They collectively diffused a sense of melancholy over the decline of their era across the Yangzhou Ci poetic community.With a style similar to that of Zhexi school and the intention to ad-dress the flaws of Qian-Jia Zhejiang school,they emphasized individual emotions,authenticity,and personal expression,drawing inspiration from real life.Their efforts resulted in a new voice within the Zhejiang school that paralleled the emerging Changzhou school,reflecting the impact of the declining era on individual spirits and social politics.

关键词

清词/吴鼒/一萼红/倡和/扬州词坛/浙西词派改革

Key words

the Qing Dynasty Ci Poety/Wu Zi/A Red Bud/poetic exchanges/Ci poetry of Yangzhou/revo-lution of the Zhexi Ci school

引用本文复制引用

出版年

2024
扬州职业大学学报
扬州职业大学

扬州职业大学学报

影响因子:0.227
ISSN:1008-3693
段落导航相关论文