摘要
通过文献研究法,整理中英文报章杂志、电影技术文档,追踪民国时期电影人士在西方彩色片输入的背景下开展的彩色电影技术探索.以中国最早的有声彩色电影《生死恨》为例,系统分析电影人颜鹤鸣在引进、吸收、应用多层乳剂彩色片技术方面的成果及存在的缺陷,并总结该时期电影技术引进的一些特征,以期丰富学界对于国内早期电影技术史的研究.
Abstract
Through literature review of Chinese and English newspapers,magazines,and film technical docu-ments,this study traces the exploration of color film technology by filmmakers during the Republican period in the context of the introduction of Western color films.Taking China's earliest sound color film,Regrets of Life and Death,as an example,it systematically analyzes the achievements and shortcomings of filmmaker Yan He-min in introducing,absorbing,and applying multi-layer emulsion color film technology.Furthermore,it sum-marizes some characteristics of film technology introduction during that period,with the aim of enriching aca-demic research on the early history of film technology in China.
NETL
NSTL
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