"志"与"史":《片警宝音》的现代性叙事与文化记忆
"Aspiration"and"History":The modern narration and cultural memory of the film"Patrolman Baoyin"
袁雨欣1
作者信息
- 1. 山东艺术学院 传媒学院,济南 250307
- 折叠
摘要
电影《片警宝音》以民族志式的、新历史主义的现代性叙事视角作为阐释工具,将当代中国时代风貌的影像民族志式书写酝酿其中,既保存了当代中国的文化记忆,又附和和补全了历史话语,对本土民俗和文化的保护和推广投入了关注.
Abstract
In 2018,the film Patrolman Baoyin,jointly produced and produced by the Propaganda Department of the Inner Mongolia Autonomous Region Committee of the Communist Party of China and the Public Security Department of the Inner Mongolia Autonomous Region,won the 18th China Film Huabei Award for Outstanding Ethnic Minority Films after five years.The film brews the image ethnographic writing of contemporary Chinese times,returns to the left place of national his-tory,and makes up for the omissions,producing unique cultural memory.From the ethnographic and neo-historicist per-spective of the modern narration of the film,and from the cultural memory of Asman back to the emotional reference of peo-ple in the film,the epic meaning of"ancient and modern drama"of Chinese national images can be analyzed.
关键词
《片警宝音》/民族志叙事/新历史主义/文化记忆Key words
Patrolman Baoyin/Ethnographic narration/New historicism/Cultural memory引用本文复制引用
出版年
2024
NETL
NSTL
万方数据