情感之为客体关系:走向当代精神分析艺术理论
Affects as Object Relations:Towards a Contemporary Psychoanalytic Art Theory
黄敏1
作者信息
摘要
客体关系的精神分析理论将艺术视为主客体之间"移情"与"反移情"的交流过程,在当代情感研究中彰显潜力.克莱因的"破坏"与"修复"心理模型、温尼科特的"游戏"与"潜在空间"概念、艾伦茨威格的"创造力三阶段"图式共同提供了一条探索艺术的形式特征、具身的审美经验和外在的文化现实之间深层互动的技术路径.情感之为客体关系,意味着人与外部现实的原发关系根本上被感觉为人与人的关系,在人性化的意义上释放了艺术作品的能动性,也为当代各种角度的艺术阐释提供了一种人格理论上的连接.
Abstract
The psychoanalytic theory of object relations regards art as the communication process of"transference"and"countertransference"between the subject and the object,showcasing signifi-cant potential in contemporary affect studies.Melanie Klein's psychological model of"attack"and"repair",D.W.Winnicott's concepts of"play"and"potential space",and Anton Ehrenzweig's schema of"the three phases of creativity"collectively offer a technical pathway to explore the deep interaction between formal features of art,embodied aesthetic experiences,and external cultural re-alities.Taking affects as object relations implies that the primary interaction between individuals and the external reality is essentially perceived as interpersonal relationships.In a humanistic sense,this perspective releases the agency of artistic works and provides a theoretical link for various levels of contemporary art interpretation.
关键词
精神分析/客体关系/情感/交流过程Key words
Psychoanalysis/Object Relations/Affects/Communication Process引用本文复制引用
基金项目
中国博士后科学基金第74批面上资助项目(2023M743280)
中央高校基本科研业务费专项资金资助项目(CUC230B057)
出版年
2024
NETL
NSTL
万方数据