作者信息
- 1. 湘潭大学艺术学院,湖南 湘潭 411105
- 折叠
摘要
春秋时期,湘潭属楚国黔中郡.战国时期,长沙郡从黔中郡分出,包含了湘潭全境.湘潭作为楚文化的重要属地,有较深的楚文化基础,而漆艺也是楚文化不可或缺的重要组成部分.本文以湘潭老艺人为对象,取口述史视角,以点带面,通过对其口述采录整理和教学演示,探讨湘潭漆艺的生存、嬗变、发展轨迹与历程.
Abstract
During the Spring and Autumn Period,Xiangtan belonged to the Qianzhong county of Chu State.During the Warring States Period,Changsha county was separated from Qianzhong county and included the whole territory of Xiangtan.As an important part of Chu culture,Xiangtan has a deep foundation of local culture among which lacquer art is also an indispensable part.By interviewing with the old Xiangtan lacquer artists and sorting the oral data,,this paper discusses the survival,evolution,development path and process of Xiangtan lacquer art through the oral history perspective.
关键词
大漆/地方史/楚文化Key words
Chinese lacquer/Local history/Chu culture引用本文复制引用
出版年
2024
NETL
NSTL
万方数据