摘要
唐宋变革之际,宋瓷在面对外来文化影响时以中国式理学为圭臬,创造出了独特的器物美学范式和文化,对中国现代陶艺的创新发展有一定的启示价值.一是"理一分殊"的理学思想形成与发展是宋瓷创新发展的理论基础;二是"无饰为饰"的造型哲学思想,是宋瓷造型形成独特审美标志的圭臬;三是"即物穷理"的釉色美学思想,是宋瓷釉色表现天地有大美而不言的轨范.目前,中国现代陶艺界已经认识到了由于缺失中国元素和文化自信带来的困扰,在很大程度上制约着中国现代陶艺的双创性发展.宋瓷在创新发展自身艺术形式的历程给予了我们诸多思考和借鉴.
Abstract
During the trans-formative period of the Tang and Song dynasties,Song ceramics,guided by the Chinese-style Neo-Confucianism,created a unique aesthetic paradigm and culture in the face of foreign cultural influences,which has certain enlightenment value for the innovative development of modern Chinese ceramic.Firstly,the formation and development of the Neo-Confucianist ideology of"unity in diversity"is the theoretical foundation for the innovation and development of Song ceramics.Secondly,the modeling philosophical concept of"simplicity as adornment",which is used as the guiding principle for the particular aesthetic symbolism of Song ceramics.Lastly,the glaze aesthetic ideology of"revealing the essence through the object",which is the Song dynasty porcelain glaze,established the norm for expressing the beauty of the universe without explicit words.At present,the contemporary Chinese ceramic art community has recognized the problems brought about by the lack of Chinese elements and cultural confidence,which greatly restrict the innovative and creative development of modern Chinese ceramics.Song porcelain gives us a lot of thought and reference in the process of innovating and developing its own art form.
基金项目
景德镇市社会科学规划重点项目()(2022)(202207)
NETL
NSTL
维普
万方数据