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模仿与转化:明代中晚期国画与瓷画中"士绅出行"图式比较研究

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"士绅出行"图源于明代中晚期社会各阶层普遍参与的旅游活动,是国画与瓷画的重要题材。本文着眼于国画与瓷画中的"士绅出行"图式,比较二者的形式内容以探讨瓷画对国画的图式模仿与转化;并进一步分析瓷画"士绅出行"的元素构成和图式结构,寻找瓷画以国画为蓝本进行图式转化的具体方法与路径。同时,将二者置入明代中晚期社会文化环境中进行考察,揭示瓷画在模仿与转化国画"士绅出行"图式过程中日渐趣味化的具体成因。
Imitation and Transformation:A Comparative Research of the"Gentry Travel"Scheme in Chinese Painting and Porcelain Painting in the Middle and Late Ming Dynasty
The picture of the"Gentry Travel"originated from the widespread participation in tourism activities by various social classes during the middle and late Ming Dynasty,and was an important subject in both traditional Chinese paintings and porcelain paintings.This paper focuses on the"Gentry Travel"scheme in traditional Chinese painting and porcelain painting,comparing the form and content of both to explore how porcelain painting imitates and transforms the pictorial patterns of traditional Chinese painting.Additionally,it further analyzes the element composition and schematic structure patterns of porcelain painting"Gentry Travel,"seeking the specific methods and pathways for the schematic transformation of porcelain painting based on traditional Chinese painting.At the same time,by examining both art forms in the cultural context of the mid and late Ming Dynasty,this study reveals the specific reasons for the increasing interest of porcelain painting in the process of imitating and transforming the"Gentry Travel"schema of Chinese painting.

Gentry travelSpring journey and evening returnVisiting friends with GuqinSchemaPorcelain decoration

张文倩

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景德镇陶瓷大学,景德镇 333403

恩施职业技术学院,恩施 445000

士绅出行 春游晚归 携琴访友 图式 瓷器纹饰

2024

中国陶瓷
中国轻工业陶瓷研究所

中国陶瓷

北大核心
影响因子:0.376
ISSN:1001-9642
年,卷(期):2024.60(1)
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