首页|雅集图式中陶瓷符号的审美与精神——以《十八学士图》为例

雅集图式中陶瓷符号的审美与精神——以《十八学士图》为例

扫码查看
始自唐代的雅集图作为表现文人活动的传统图式,在历代的发展中逐渐典范化,并成为个人理想品格的隐喻。画中人、物、景共同参与图式的建构并形成具有寓意的图像形式,其中鉴赏类瓷器更是被称为"雅玩",成为代表个人品格的符号。在历代《十八学士图》演变历程的基础上,以史料结合图像分析,联系结构主义、符号学研究方法,分析图像系统中的瓷器性质与价值,揭示以杜堇《十八学士图屏》为代表的中国传统雅集图式中蕴含的人文精神,点明陶瓷艺术在中国古代图像范式发展中的符号价值和器物之美。
The Aesthetics and Spiritual Significance of Ceramic Symbols in the Yaji Tu Tradition——Take the "Eighteen Bachelor" Image as an Example
The Yaji paintings,which originated in the Tang Dynasty and serves as a traditional depiction of literati activities,have evolved over the centuries and gradually become a paradigm and a metaphor for personal ideals.Within these paintings,figures,objects,and scenes collectively contribute to the construction of the schema and form the image form with meaning,with appreciative ceramics,known as"elegant pastime,"being hailed as symbols representing individual character.Building upon the evolution of the"Eighteen Bachelor's Image"in past dynasties,this study employs a combination of historical records and image analysis,integrating structuralist and semiotic research methods.It examines the nature and value of ceramics within the image system,revealing the humanistic spirit inherent in traditional Chinese Yaji patterns,epitomized by Du Jin's"Eighteen Bachelor's Picture Screen."Moreover,it aims to elucidate the symbolic value of ceramic artistry and the aesthetic beauty of artifacts within the development of ancient Chinese pictorial paradigms.

The eighteen bachelor imageImage paradigmCeramicSemiotics

陈琼

展开 >

广西艺术学院,南宁 530000

十八学士图 图像范式 陶瓷 符号学

2024

中国陶瓷
中国轻工业陶瓷研究所

中国陶瓷

北大核心
影响因子:0.376
ISSN:1001-9642
年,卷(期):2024.60(2)
  • 34