摘要
陶瓷婴戏图是陶瓷人物图的重要类型之一,以儿童为表现对象.我国已经由乡土时代步入到后乡土时代,基于后乡土时代变迁,以当代陶瓷婴戏图的情感表达为研究对象,通过与传统的对比和对现实的分析阐释当代陶瓷婴戏图情感表达的成因、方式、价值及局限性.基于后 乡土时代变迁,当代陶瓷婴戏图情感表达的成因主要是创作者乡愁与怀旧的情感寄托、对平和与宁静的生活向往以及创作区域的乡土性,在内容、技法和思想上采取了契合于后乡土时代的情感表达方式.
Abstract
Ceramic infant play painting is one of the important types of ceramic figure painting,focusing on children as the object of expression.As China transitions from a rural era to a post-rural era,this paper delves into the emotional expression found in contemporary ceramic paintings of children playing based on the changes of the times.Through comparisons with traditional works and analysis of contemporary realities,the paper explores the reasons,methods,values,and limitations of this emotional expression.Within the context of the post-rural era,the emotional expression in these paintings is primarily influenced by the creators'nostalgia for the past,aspirations for peace and tranquility,and the local character of their creative environments.In terms of content,techniques,and concepts employed,they align with the emotional tenor of the post-rural era,conferring significant meaning and value,but also having certain limitations.
NETL
NSTL
万方数据