Boundary and Ambiguity——Analyzing the Contextual Problems of Contemporary Jingdezhen Ceramic Painting
Ceramic painting has emerged as a ceramic expression style with a distinctive painting characteristic in the development process of modern and contemporary Chinese ceramic art.However,in the later development process,while the groups specializing in ceramic painting expand and innovate the unique craft personality and technical characteristics inherent in ceramic painting language,controversies have arisen regarding its academic orientation.Within such a complex,ambiguous,interdisciplinary,and blended cultural context,modern and contemporary Jingdezhen ceramic paintings have always been entangled in the issue of artistic identity and discourse power presented by academic theoretical evaluation.This article attempts to analyze the practical problems awaiting resolution in modern and contemporary Jingdezhen ceramic painting,focusing on its boundary,ambiguity,and temporal characteristics,in order to objectively assess its artistic value.
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