宋金瓷枕中执莲童子形象卮论
Discussion on the Image of Holding Lotus Children in the Porcelain Pillow of the Song and Jin Dynasties
唐宇婷 1蔡伟 2曹春生1
作者信息
- 1. 景德镇陶瓷大学,景德镇 333403
- 2. 景德镇陶瓷大学,景德镇 333403;南阳师范学院,南阳 473061
- 折叠
摘要
瓷枕作为民俗文化与传统工艺联姻的宁馨儿,其诞生之肇便与用者关系甚切,相较于其他器类,其承载的世俗文化更耐人寻味.宋金时期,瓷枕的烧造达到了鼎盛,执莲童子作为瓷枕中的一种代表性题材,得到了广泛运用.执莲童子与磨喝乐、化生关系甚切,与妇女求子催生有关,表达了祈子宜男的愿景.文章通过阐释执莲童子与磨喝乐、化生的联系,溯回原境,观风察俗,探索宋金瓷枕中执莲童子形象背后的深层意涵.
Abstract
As a harmonious blend of folk culture and traditional craftsmanship,porcelain pillows have had a close relationship with their users since the beginning of their creation.Compared with other utensils,it is more intriguing in secular culture.During the Song and Jin dynasties,the firing of porcelain pillows reached its peak,with the representative subject of holding lotus children being widely employed.The imagery of holding lotus children is closely related to Mahoraga and spontaneous generation and is also related to the birth of women's children,conveying the aspiration for male offspring.Through elucidating their connections with the holding lotus children,the Mahoraga and spontaneous generation,tracing back to their origins,and observing contemporary customs,this article explores the profound implications behind the image of the holding lotus children in the porcelain pillow of the Song and Jin dynasties.
关键词
瓷枕/执莲童子/磨喝乐/化生Key words
Porcelain pillow/Holding lotus children/Mohele/Spontaneous generation引用本文复制引用
出版年
2024
NETL
NSTL
万方数据