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从《万物》"模块化"视角看"瓷的旅程"双年展作品中的形式系统

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"瓷的旅程"国际陶瓷艺术双年展,是世界艺术的大融合,是陶瓷艺术的盛宴,同时也代表了一种当下陶艺现象.而对艺术作品形式系统的研究,正是对现代陶瓷艺术现象的进一步剖析.本文从《万物》"模块化"的角度分析此次双年展艺术作品中的形式系统,包括内在结构和艺术语言两大构成因素.其中,内在结构是指围绕主题的材料构架、不可再分的最小单位和实用模块拼接.艺术语言则从艺术形象、审美体验两个角度进行双年展陶瓷艺术作品的形式分析与解读.
The Analysis of Formal System of the Works in"The Journey of Ceramics"Biennale from the Perspective of"Modularization"Based on the"Ten Thousand Things"
"The Journey of Ceramics"International Ceramic Art Biennale is a fusion of world art,a feast of ceramic art,and also represents a contemporary ceramic art phenomenon.The study of the form system of art works is the further analysis of the phenomenon of modern ceramic art.This paper analyzes the formal system of the art works in the Biennale from the perspective of"modularity"of"All Things",including the two major constituents of internal structure and artistic language.Among them,the inner structure refers to the material framework around the theme,the indivisible minimum unit and the practical modular splicing.The artistic language analyzes and interprets the form of the ceramic artworks of the Biennale from the perspectives of artistic image and aesthetic experience.

ceramic art"The Journey of Ceramics"Biennaleformal systemmodularity

潘净晶

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辽阳职业技术学院

陶瓷艺术 "瓷的旅程"双年展 形式系统 模块化

2024

中国陶瓷工业
中国陶瓷工业协会 景德镇陶瓷学院

中国陶瓷工业

影响因子:0.201
ISSN:1006-2874
年,卷(期):2024.31(2)