中国陶瓷工业2024,Vol.31Issue(5) :61-66.DOI:10.13958/j.cnki.ztcg.2024.05.011

博物馆青瓷文创产品的设计方式研究

Research on the Design of Cultural and Creative Products of Celadon in Museums

王亚红
中国陶瓷工业2024,Vol.31Issue(5) :61-66.DOI:10.13958/j.cnki.ztcg.2024.05.011

博物馆青瓷文创产品的设计方式研究

Research on the Design of Cultural and Creative Products of Celadon in Museums

王亚红1
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作者信息

  • 1. 浙江旅游职业学院,浙江杭州 311231
  • 折叠

摘要

青瓷自东汉末年烧制成功,以类玉般的美感和良好的使用功能服务于古人生活,并以展品的形式展现在今天的博物馆中.博物馆文创产品开发较早,发展较为成熟.文章通过对故宫博物院、南京博物院、中国国家博物馆等地的实地调研和线上数据分析,发现在博物馆环境中,青瓷文创产品的设计主要通过复刻、延展、输出、输入等四种方式进行开发.这些设计方式对其他品类文创产品的研发具有积极的借鉴意义.

Abstract

Celadon,successfully produced since the late Eastern Han Dynasty,is known for the delicate and aesthetic appearance,as well as its good usability for ancient Chinese.It has been sitting as exhibits in the museum today.Museum cultural and creative product development started early and is relatively mature.This conclusion is drawn from on-site research at the Palace Museum,Nanjing Museum,National Museum of China and online data analysis.In the museum environment,the cultural and creative design of celadon is mainly developed by four ways,which are reproduction,extension,output and input.These design methods are positively meaningful for the development of cultural and creative products in other categories.

关键词

复刻/延展/输出/输入/青瓷

Key words

reproduction/extension/output/input/celadon

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出版年

2024
中国陶瓷工业
中国陶瓷工业协会 景德镇陶瓷学院

中国陶瓷工业

影响因子:0.201
ISSN:1006-2874
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