摘要
符号学作为一门研究事物符号的本质与意义、变化与规律、各类符号与人类活动之间关系的人文学科,近年来在艺术设计领域得到广泛应用.本文基于符号学的角度,综合运用文献法、调查法对南北朝(420-589 年)时期的代表性器物——青瓷仰覆莲花尊进行探析,总结其所体现出的"所指"与"能指"含义,阐释其色彩与文化、工艺与技术、装饰与纹样、造型与功能符号.
Abstract
Semiotics,as a humanities discipline that studies the nature and meaning of symbols of things,changes and laws,and the relationship between various symbols and human activities,has been widely used in the field of art design in recent years.From the perspective of semiotics,this paper analyzes the representative objects of the Southern and Northern Dynasties(420-589),celadon vase representing a lotus topped by a another inverted lotus,by the comprehensive use of literature and investigation,and summarizes the meaning of"referent"and"can refer to",as well as the color and culture,craft and technology,decoration and pattern,shape and functional symbols embodied in them.
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