摘要
中国民间传统舞蹈除了在"一般性"特征上与"美的艺术"概念下的舞蹈有很大区别外,其中国化、民族化、乡土化的舞蹈构成也导致了它与强调"艺术自律性"或"舞蹈本体论"的剧场艺术拉开了距离.本文从执器而舞、乐舞一体、歌舞相属、戏舞不分、舞仪互渗、武舞交融这几个方面切入,论述其真实的舞蹈展演情况的同时,力争归纳总结出它不同于其他的"独特性"特点.
Abstract
Chinese traditional folk dances differ greatly from dances under the concept of"beautiful art"in terms of their"general"characteristics,and their sinicized,ethnic,and localized dance composition also lead to a distance from theatrical art that emphasizes"artistic autonomy"or"dance ontology".This paper started from several aspects,such as dancing with property,integrating music and dance,singing and dancing as etiquette,integrating drama and dance,permeating each other between dance and ritual,and integrating wushu(martial arts)and dance to discuss the real performance situation of Chinese traditional folk dances.At the same time,it strives to summarize their"uniqueness"characteristics that are different from other kinds of dances.
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