敦煌道具舞蹈的语言叙事方式研究
A Study of the Linguistic Narrative Style of Dunhuang Prop Dance
李婷婷 1窦鑫雨1
作者信息
摘要
本文从舞蹈叙事这一视角出发,以敦煌道具舞蹈为研究对象,通过对敦煌道具舞蹈的话语环境、叙事语言、叙事方式等进行分析阐述,归纳总结出在壁画语境下的"道具"其"器物"性质本身具有艺术表演的功能属性,并且在敦煌舞蹈运用的过程中具有叙事结构的多元性、人物塑造的立体性、以乐成舞的规律性等独有艺术特性,旨在探求敦煌道具舞蹈如何从壁画形象的重建、空间场景的营建、物舞合一的表达等多维度构建语言叙事的方式.
Abstract
From the perspective of dance narrative,this paper takes Dunhuang prop dance as the research object,analyzes the discourse environment,narrative language and narrative mode of Dunhuang prop dance,and concludes that the"props"in the context of mural paintings have the functional properties of artistic performance.In addition,Dunhuang dance has unique artistic characteristics such as the diversity of narrative structure,the three-dimensional character shaping,and the regularity of music into dance.The purpose is to explore how Dunhuang prop dance constructs language narrative mode from multiple dimensions such as the reconstruction of mural image,the construction of space scene,and the expression of the integration of object and dance.
关键词
敦煌道具舞蹈/舞蹈叙事/敦煌壁画Key words
Dunhuang Props Dance/Dance Narrative/Dunhuang Murals引用本文复制引用
出版年
2024
NETL
NSTL
万方数据