摘要
粟特人是古丝绸之路上的重要商业民族,粟特舞蹈是我国中古时期入华的代表性域外舞蹈种类.其对魏晋、隋唐舞蹈的形态、风格、审美以及时人的观舞习惯等均有较大影响.胡旋舞、胡腾舞和柘枝舞作为入华粟特舞蹈的主要舞目,被时人称之为"三大西域胡舞"."三大胡舞"不仅构筑了唐代健舞的主题内容,更是充实了唐代表演性舞蹈的观赏性.近年来,学界对以"三大胡舞"为主的粟特舞蹈的研究取得了丰硕成果,但尚且存在粟特舞蹈源流辨析笼统、微观形态探讨不足、舞种属性归属混乱、境外研究薄弱、研究视角单一和研究门径有待系统化、深入化等系列问题.文章旨在综论现有成果的基础上,对粟特舞蹈研究略加述评,以期为推进粟特舞蹈研究略尽绵薄.
Abstract
The Sogdians are the important commercial nation on ancient Silk Road and the"Sogdian Dance"is the representative type that entered China from the 3rd century to the 10th century.It had a great influence on the style,forms,aesthetics and people's dance viewing habits in Wei,Jin,Sui and Tang Dynasties.As the main dances of Sogdian dance that entered China,Huxuan dance,Huteng dance and Zhezhi dance were called the"three major dances in the Western Regions".The"three major dances in the Western Regions"not only constructed the theme content of Jian dance in Tang Dynasty,but also enriched the appreciation of the performance dance.In recent years,the research of Sogdian dance,which is dominated by"three major dances in the Western Regions"has obtained great achievements.However,there are still a series of problems,such as the general analysis of the origin of Sogdian dance,the lack of micro-morphological discussion,the confusion of the attribution of dance types,the weak overseas research,the single research perspective and the need for systematic and in-depth research.On the basis of summarizing the existing achievements,this paper aims to make a comprehensive review of Sogdian dance research,in order to promote the research of dance history.
NETL
NSTL
万方数据