人工智能编舞与舞蹈创作主体性之反思
Reflection on the Subjectivity of Artificial Intelligence Choreography and Dance Creation
邓元范1
作者信息
摘要
人工智能编舞程序凭借其卓越的动作处理能力以及生成性、交互性和指数级进化的特性,在推动舞蹈创作技术创新的同时,也从认知与实践的角度对人的主体地位提出了新的挑战.本文立足于人工智能编舞历史实践经验,通过探讨了人工智能编舞中的人机适应现象,旨在阐明此类技术与艺术本质的矛盾;同时主张,在评估新兴科技时也应思考如何维护和发展人的主体地位,合理利用人工智能编舞作为提升舞蹈创作生产力的有效工具,并积极应对可能产生的主体性异化问题.
Abstract
Artificial intelligence choreography programs,with their excellent motion processing capabilities and characteristics of generativity,interactivity,and exponential evolution,not only promote innovation in dance creation technology,but also pose new challenges to human subjectivity from the perspectives of cognition and practice.This article is based on the historical practice experience of artificial intelligence choreography,and explores the phenomenon of human-machine adaptation in artificial intelligence choreography,aiming to clarify the contradiction between such technology and artistic essence.Also advocates that when evaluating emerging technologies,we should also consider how to maintain and develop human subjectivity,make reasonable use of artificial intelligence choreography as an effective tool to enhance dance creation productivity,and actively respond to possible subjectivity alienation problems.
关键词
人工智能编舞/主体性/编舞家Key words
Artificial Intelligence Choreography/Subjectivity/Choreographer引用本文复制引用
出版年
2024
NETL
NSTL
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