舞蹈戏剧:狂野形式与强烈意志的对话——皮娜·鲍什《穆勒咖啡馆》的"行为舞蹈"视界
Dance Theater:a dialogue between wild form and strong will——The perspective of"Behavioral Dance"in Pina Bausch's Cafe Muller
朱祥虎1
作者信息
摘要
皮娜·鲍什(Pina Bausch)作为"舞蹈戏剧"(Dance Theater)的核心人物,极力强调姿势与言辞并不能达到清晰的交流,以及舞蹈与戏剧在美学、心理学和社会层面上存在着差距,她所关注的不再是拉班式的身体与思想、形式与意义的"整体和完满",而是它们彼此之间固有的"分裂".各种尝试之后,鲍什在《穆勒咖啡馆》(Cafe Muller)的舞台上确立了一种新的语言:由舞蹈与戏剧、音乐与语言、不相称与平行的动作组成的剧场符号,使得行动或事件的发生遵循着初始经验在舞台上得到了自由安排.
Abstract
Pina Bausch,as the core character of the"Dance Theater",strongly emphasized that posture and speech cannot achieve clear communication,and that there is a gap in aesthetics,psychology and society between dance and drama.What she focuses on is not the"integrity and perfection"of Labanian body and thought,form and meaning,but the dissatisfaction and appeal of their inherent"split".After various attempts,Bausch established a new language on the stage of Cafe Muller:a theater symbol composed of dance and drama,music and language,and disproportionate and parallel actions,which made the occurrence of actions or events follow the initial experience and get free arrangement on the stage.
关键词
皮娜·鲍什/《穆勒咖啡馆》/舞蹈戏剧/即兴剧场Key words
Pina Bausch/Cafe Muller/Dance Theater/Improvisation Theater引用本文复制引用
出版年
2024
NETL
NSTL
万方数据