摘要
西汉大一统局面的形成,为中华民族文化的繁荣奠定了坚实的基础,是舞蹈的审美文化实现突破发展的重要时期,在当时,中国和西亚的道路已经大开,各方的交流日益增多,各民族各国家的文化开始影响中原西汉王朝,在此背景之下,汉朝乐舞突破了古代乐舞的局限,民间舞蹈开始走入宫廷,成为舞蹈文化的主流思想,另一方面,作为民间舞蹈艺术中最重要的部分,百戏技艺得到迅速的发展,并且逐渐成为大家喜闻乐见的舞蹈艺术形式,形成了"艺、技相融,以舞为重"的舞蹈特征,同时也是汉代舞蹈审美文化发展的一个新突破.
Abstract
The formation of the unification of the Western Han Dynasty laid a solid foundation for the prosperity of Chinese culture and was an important period for the breakthrough and development of aesthetic culture in dance.At that time,the road and development of China and West Asia,as well as the increasing exchanges between various parties,began to influence the culture of various ethnic groups and countries in the Central Plains of the Western Han Dynasty.Against this background,the music and dance of the Han Dynasty broke through the limitations of ancient music and dance,Folk dance began to enter the palace and became the mainstream ideology of dance culture.On the other hand,as the most important part of the folk dance art,the techniques of Baixi have rapidly developed and gradually become a popular form of dance art,forming a dance characteristic of"art and technique blending,with dance as the focus".At the same time,it is also a new breakthrough in the aesthetic and cultural development of Han Dynasty dance.
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