2023美术:AI图像挑战下的重返与新发
Fine Arts in 2023:Return and New Developments under the Challenge of AI Images
尚辉1
作者信息
摘要
生成式人工智能AIGC作为科技创新的年度热词,也引发了美术界有关创作智能化话题的讨论.2023年度举办的若干个大型双年展以及其他艺术与科技展,都体现了AI图像挑战对艺术态势的新发.与此相反,包括AIGC图像生成在内的科技视觉强化也在不断损耗着中国画的写意精神,有关这一问题的探讨形成了另一种对艺术本体的认知,2023年度美术的相关创作与展览均在这一学术氛围中展开.与此同时,中国美术馆建馆60周年,则为全国美术馆的综合发展带来了新的历史机遇,各种规模化的中外藏品展形成了艺术史叙事的社会审美教育景观.
Abstract
As the buzzword of the year for technological innovation,generative artificial intelligence,AIGC,has also triggered discussions in the fine art field on the topic of creative intelligence.Several large-scale biennials exhibitions held in 2023,as well as other art and technology exhibitions,have reflected the new development of the art situation as a result of the challenge of AI imagery.On the contrary,the visual enhancement of technology,including AIGC image generation,is also continuously depleting the freehand spirit of Chinese painting and the discussion on this issue has formed another perception of the ontology of art.In such academic atmosphere,the related creations and exhibitions of fine arts have all been carried out in 2023.Meanwhile,the 60th anniversary of the founding of the National Art Museum of China has brought new historical opportunities for the comprehensive development of art museums across the country.Various exhibitions of Chinese and foreign collections on a wide range of scales have formed the social aesthetic educational landscape for the narratives of art history.
关键词
2023美术/写意精神/主题性创作/美术馆建设/科技艺术/AI图像Key words
fine arts in 2023/freehand spirit/thematic creation/the construction of art museums/technological art/AI image引用本文复制引用
出版年
2024
NETL
NSTL
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