由"女性"到"她"——国产剧集中女性形象的迭变与期待
From"Female"to"She":The Iteration and Expectation of Women's Images in Domestic Dramas
程樯1
作者信息
摘要
伴随着现代化进程的持续深入,女性主体得到充分赋权,不啻传统男性视野下的单调与固化,女人或者说是女性形象正向着独立、自洽的"她者"过渡已成事实,不止是形而上概念和观念的演进,形而下层面的全方位变革也为该分化过程提供了持续动因.作为映照现实的剧集作品自然无法回避该定向趋势所带来的全方位变革,由"女性"到"她"的转向,也正为现实题材剧集创作提供了更为多维的通路.告别男性视阈下的单边话语霸权,国产剧集中的"她"们拥有了更为多元的生命力和可能性.
Abstract
Along with the deepening process of modernization,the female subject has been fully empowered.It has become a fact that the woman is no longer the monotony and solidification from the traditional male perspective,but rather,the woman,or the image of women,is in transition to an independent and self-contained"she",which is due to the fact that not only the evolution of metaphysical concepts and ideas,but also the all-round changes at metaphysical and subterranean level have provided a continuous motivation for the process of differentiation.As a reflection of reality,the drama works naturally cannot avoid the all-round changes brought about by this oriented trend,namely,the shift from"female"to"she",which also provides a more multi-dimensional pathway for the creation of realistic dramas.Saying goodbye to the unilateral hegemony of discourse under the male perspective,the"she"in domestic dramas possesses more diversified vitality and possibilities.
关键词
她剧集/女性主题/她性/主体性/现实题材Key words
she drama/female themes/hemess/subjectivity/realistic themes引用本文复制引用
基金项目
国家社会科学基金艺术学项目(2021)(21BC039)
出版年
2024
NETL
NSTL
万方数据