摘要
将陈寅恪"了解之同情"说合理应用于文学批评,有益于以"考据"与"移情"兼重的姿态,正视文学现象的历史性品格、开显文学批评应有之"作者"视角,为思考"文本含义"的特征、思考文学评价的多元可能提供有益启示.该说在文学批评中的限度主要表现为:泥于历史主义思维模式,窄化有关创作真相的诠释空间;执着于还原创作真相,对文学现象其他要素关注不够;在衡量文学批评的水准时,时常体现出"作者中心主义"立场,部分结论有独断之嫌.进扩文学批评的"了解之同情",应保持对文学现象"审美性"的合理理解,在关注作者问题的同时,形成对单一批评视角的超越.
Abstract
Applying Chen Yinko's theory of"sympathy of understanding"rationally to literary criticism is beneficial to face up to the historical character of literary phenomena and to open up the"author"perspective that literary criticism should have.The limitations of Chen Yinko's"sympathy for understanding"in literary criticism are mainly manifested in the following:sticking to the historicist thinking mode,narrowing the interpretive space for the truth of creation;obsessed with restoring the truth of creation,but not paying enough attention to other elements of literary phenomena;and often in value judgments.Reflecting the value position of"author-centrism",the conclusion is suspected of being arbitrary.Entering into the"sympathy of understanding"of literary criticism,we should maintain the interest and vitality of multiple perspectives on literary phenomena.
基金项目
国家社会科学基金重大项目(2020)(20&ZD280)
NETL
NSTL
万方数据