从"一致"到"条理":宗白华节奏论的内涵与建构路径
From"Consistency"to"Order":the Connotation and Construction Path of Zong Baihua's Rhythm Theory
黄长明1
作者信息
摘要
在宗白华的节奏论中,"节奏"的内涵有一个由形式层面的"一致"向生命、哲学层面的"条理"的转变过程,前者作为一种"数理的节奏"指形式上的和谐一致,产生于某一形式要素的周期性重复;后者作为"生命的节奏"指宇宙自然的规律和条理,则产生于事物正反两种特性的交替呈现.艺术形式—艺术生命—哲学—文化精神,是宗白华节奏论的建构路径.节奏论作为宗白华美学思想的核心,具有鲜明的"及物性"特征和人生艺术化的现实指向,并非完全指向形上学境界.宗白华在节奏论建构中体现的中西互鉴、新旧融合、媒介互参的学术视野和研究方法,以及对中华民族文化精神的审美性阐发,使节奏论成为具有民族性和现代性的理论体系,对于建构中国现代美学话语具有重要的理论价值和现实意义.
Abstract
In Zong Baihua's rhythm theory,the connotation of"rhythm"has a process of transformation from"consistency"in form to"order"in life and philosophy.The former is a kind of"mathematical rhythm,"which refers to the harmony of form and comes from the periodic repetition of a certain formal element.While the latter is a kind of"rhythm of life,"it refers to the laws and order of the universe and comes from the alternate presentation of positive and negative characteristics of things."Artistic form-artistic life-philosophy-cultural spirit"is the construction path of the rhythm theory of Zong.As the core of Zong's aesthetic thought,rhythm theory has distinct characteristics of"transitivity"and the realistic orientation of artistic life,which is by no means completely directed to the metaphysical realm.Zong's academic vision and research methods of mutual learning between China and the Western world,the integration of tradition and modernity,and the mutual participation of media as well as the aesthetic elucidation of the national cultural spirit in the construction of rhythm theory,make the rhythm theory a theoretical system with national and modernity characteristics,which has important theoretical value and practical significance for the construction of modem aesthetic discourse of China.
关键词
宗白华/节奏/一致/条理/生命意识/中华民族文化精神Key words
Zong Baihua/rhythm/consistency/order/life consciousness/spirit of national culture引用本文复制引用
基金项目
教育部人文社会科学重点研究基地重大项目(2022)(22JJD750028)
出版年
2024
NETL
NSTL
万方数据