"中和"与书法艺术辩证法
The Dialectics of"Neutralization"and Calligraphic Art
詹冬华1
作者信息
摘要
从先秦"中""和"观念发展而来的"中和"思想规约了中国艺术的理想境界与价值鹄的,其中包含着深刻的艺术辩证法.在书法中,"中和"体现在"情感"的中节合度、"法则"的对立统一、"风格"的众体兼备等方面,是各种风格元素交融互渗之后的典范形态.当代书法界应抑制过度追求标新立异的冲动,回归中和的审美心态,书家要实现笔墨与情感的共舞;创作上力避纯视觉化的倾向,依照"中和"的美学圭臬,对作品形式要素之间的矛盾统一关系加以探究与验证;同时应注重书法生态的整体平衡,兼蓄并包,和而不同,以臻至"中和"之艺术胜境.
Abstract
The idea of"neutralization"developed from the concept of"medium"and"harmony"in the pre-Qin Dynasty has defined the ideal realm and value target of Chinese art,which contains a profound dialectic of art.In calligraphy,"neutralization"is embodied the moderate degree of harmony in"Emotion",the unity of opposites in"Law",the comprehensive of all forms in"Style",etc.,which is the paradigmatic form after the intermingling of various stylistic elements.Contemporary calligraphic industry should suppress the impulse of over-pursuing novelty and return to the aesthetic mindset of neutrality and harmony,and the calligrapher should realize the symbiosis of ink and emotion.The tendency of pure visualization should be avoided in creation,and the contradictory and unifying relationship between formal elements of the works should be explored and verified in accordance with the aesthetic principle of"neutralization".At the same time,the overall balance of the ecology of calligraphy should be emphasized,incorporating and embracing all aspects,and being different in harmony,in order to achieve the artistically best state of"neutralization".
关键词
中和/书法/辩证法/境界Key words
neutralization/calligraphy/dialectics/realm引用本文复制引用
基金项目
江西省高等学校人文社会科学重点研究基地项目(2020)(JD20067)
出版年
2024
NETL
NSTL
万方数据