家族相似性、符号圈与艺术跨媒介叙事
Family Resemblance,Semiosphere and Intermedia Narratives in Art
龙迪勇1
作者信息
摘要
总体性的"艺术"仅仅是一个相对意义上的统称,一个代表所有具体门类艺术的"家族相似性"概念.洛特曼把总体性的艺术看成一个大的"符号圈",而这个符号圈中又存在由各门类艺术构成的多个小符号圈.符号圈具有两个基本特征:一是有界性,即符号圈是有边界的,主要关涉内外关系;二是不均衡性,即符号圈区分为"中心"与"外围",这是符号圈的内部组织规则.这两个特征都给"艺术文本"的跨媒介叙事带来了深刻影响.综合运用"家族相似性"和"符号圈"理论,不仅可以很好地解释艺术与非艺术,以及艺术符号圈中不同艺术门类之间的跨媒介叙事问题,而且可以合理地解释同一种文学、艺术体裁中的"互参"现象.
Abstract
The totality of art is only a relative term,a concept of"family resemblance"that represents all the specific categories of art.Lotman sees the overall art as a large semiosphere,and within this semiosphere are many small semiospheres composed of various categories of art.Semiosphere has two basic characteristics:1.boundedness,that is,semiosphere has boundaries,which is mainly related to internal and external relations;2.imbalance,that is,semiosphere is distinguished into center and periphery,which is the internal organizational rule of the semiosphere.Both of these features have brought about a profound impact on the inter-media narrative of art texts.The combined application of the theories of"family resemblance"and"semiosphere"can not only explain the inter-medial narrative problems between art and non-art and among different categories of art in the artistic semiosphere,but also reasonably explain the inter-references in the same literary and artistic genres.
关键词
家族相似性/符号圈/跨媒介叙事/有界性/不均衡性Key words
family resemblance/semiosphere/inter-media narrative/boundedness/imbalance引用本文复制引用
基金项目
2023年度国家社科基金重大项目(23&ZD278)
2022年度江苏省社科基金项目(22WWB005)
出版年
2024
NETL
NSTL
万方数据