从跨媒介到跨文化——新世纪以来中国杂技剧实践回望
From Inter-media to Inter-cultural:A Review of Chinese Acrobatic Theater Practice in the New Century
董迎春1
作者信息
- 1. 广西民族大学广西民族文化保护与传承研究中心
- 折叠
摘要
新世纪初产生的中国杂技剧创演潮流作为当代剧场跨媒介实践的重要形式,是杂技与戏剧、音乐、舞蹈及多媒体技术等多种媒介再媒介化的中国艺术成果.在西方后戏剧和新马戏创作理念影响下,中国杂技剧成为具有中国性、世界化的跨媒介剧场艺术,业界探索性地把有剧情、有人物、有情节及视觉奇观的杂技剧视为一种新型的戏剧性舞台演出样式.中国杂技剧在中华文化走出去和中国式现代化持续推进的背景下,再次成为中国对外交流与海外商业演出的主力军之一.
Abstract
As an important form of contemporary inter-media theater practice,the trend of creating and performing Chinese acrobatic drama at the beginning of the new century is China's artistic achievement by the re-mediatization of acrobatics with various media such as drama,music,dance and multimedia technology.Under the influence of Western post-drama and new circus creative concepts,Chinese acrobatic drama has become an inter-media theater art with Chinese nature as well as global characteristics.The industry exploratively regards acrobatic drama with plots,characters,episodes and visual wonders as a new type of dramatic stage performance style.Under the background of Chinese culture going global and the continuous advancement of Chinese path to modernization,Chinese acrobatic drama has once again become one of the main forces of China's foreign exchanges and overseas commercial performances.
关键词
中国杂技剧/跨媒介/中华优秀传统文化/跨文化Key words
Chinese acrobatic drama/inter-media/excellent traditional Chinese culture/inter-culture引用本文复制引用
基金项目
2022年度国家社科基金艺术学西部项目(22EE203)
出版年
2024
NETL
NSTL
万方数据