歌唱与身体的媒介化——从歌曲《我的祖国》看当代中国的感知构造
Singing and the Medialization of Bodies:On the Perceptual Construction in Socialist China through the Song Wo De Zu Guo(My Motherland)
朴婕1
作者信息
摘要
歌曲《我的祖国》在吸收转化中国传统曲艺元素和西方音乐形式基础上,构造出属于当代中国的民族的声音.这样的声音借由倒错的"领唱+合唱"的结构,以合唱之声反向指引领唱之声,将党的声音化作人民的声音,从而重塑人民的肉身.通过自己的喉咙歌唱出这些声音的每个人,都是当代中国的表达主体.这种感知方式和表达方式广泛并持续地作用于当代中国人的感觉结构,是当代中国文化政治实践的代表性案例,能够体现当代思想具身于人的方法.
Abstract
The song Wo De Zu Guo(My Motherland)shows the construction of the national voice belonging to socialist China by absorbing and transforming traditional Chinese artistic elements and Western music forms.The voice in the song is generated by the reversed structure of"lead singer+chorus",in which the chorus voice guides the lead singer,which leads the voice of the Party turning into the voice of the people,and reconstructing the body of the people as the result.This kind of perception and expression has a wide and continuous effect on the feeling structure of contemporary Chinese people.It is a representative case of contemporary Chinese cultural and political practice,which can reflect the method of socialist thought embodied in people.
关键词
《我的祖国》/人民文艺/身体的媒介化/文化政治Key words
Wo De Zu Guo(My Motherland)/people's literature and art/medialization of bodies/cultural politics引用本文复制引用
出版年
2024
NETL
NSTL
万方数据