As an important concept and category of traditional Chinese art,Gao Yi(refinedness)had developed and evolved in the cultural field of diverse academic trends in the Middle Ages.Based on the aesthetic concepts of Laozi,Zhuangzi,and Xuanxue(metaphysics),it incorporates the aesthetic concepts of Confucianism and Buddhism,integrates the aesthetics of nature and the Confucian ethical code,and demonstrates the aesthetic connotation of lofty elegance,vivid charm,and non-vulgar charm,reflecting the aesthetic orientation and unique spirit of traditional Chinese literature and art.The category of Gao Yi had gradually infiltrated the field of ancient literary theory from the initial terminology of character appreciation and calligraphy and painting criticism,becoming an important aesthetic category and concept in ancient poetics,reflecting the aesthetic characteristic of emphasizing both literary quality and form,as well as the dual dimensional aesthetic orientation of emphasizing both form and internal quality.Essentially,the aesthetic characteristic of the concept of Gao Yi in ancient Chinese poetics is characterized by the balance between form and quality,emphasizing both form and transcending it to emphasize the inner spirit and charm.The formation of this aesthetic characteristic is due to the theoretical logic of the category of Gao Yi itself,as well as the concept of form and quality in medieval literary theory.
关键词
高逸/诗学/文质并茂/尚质/尚文
Key words
Gao Yi/poetics/equal emphasis on form and quality/emphasizing quality/emphasizing form