《雷雨》中的"雷雨"——纪念《雷雨》发表90周年
The"Thunderstorm"in Thunderstorm:Commemorating the 90th Anniversary of the Publication of Thunderstorm
林克欢1
作者信息
摘要
《雷雨》是一部构思精妙、结构严谨的作品,人物关系复杂,劫变轮回,惊思骇念;情节延展,草蛇灰线,时隐时现;不可思议的巧合与难以窥破的生死纠缠在一起,可以感知的惨烈与难以理解的野蛮含混渗合,伦常失序的现实场景与生命隐义的大哉问互为表里.全剧虚实相生,文外曲致,极具黑色深度的女性形象,日常生活的生存危机以及寄寓于现实场景之上的哲学/神学维度,其题旨与深意何在?引发此后近百年朱紫各别、莫衷一是的纷争.事实上,如何在舞台上以有形表现无形,如何表现超越现实场景的哲学/神学深度,既造就了曹禺的辉煌,也困扰了曹禺整整的一生.
Abstract
The play Thunderstorm is a delicately conceived and rigorously structured work,with complicated character relationships,twists and turns of the storylines,and shocking thoughts and horrifying ideas.The plot of the play extends,like the gray threads of gray snakes in the grass,hiding and emerging.Incredible coincidences are entangled with life and death that are difficult to decipher,the perceptible tragedy is blended with unfathomable barbarism,and the reality of out-of-order scenes and the profound question of the hidden meaning of life are intertwined.The whole play is characterized by the interplay of reality and fantasy,with the lyrics conveying a profound meaning beyond the text,the portrayal of its black depth of female figures,the existential crisis of daily life,and the philosophical/theological dimensions that lie on top of the realistic scenes.Then what is the purpose and meaning of the play?This has led to nearly a hundred years of controversy and disagreement,with no consensus reached.As a matter of fact,the question of how to express the intangible with the tangible on stage,and how to express the philosophical/theological depth that transcends the reality of the scene,not only created Cao Yu's splendor,but also troubled Cao Yu throughout his life.
关键词
《雷雨》/诗/悲剧/实象与虚象/哲学与神学维度Key words
Thunderstorm/poetry/tragedy/reality and fantasy/philosophical and theological dimensions引用本文复制引用
出版年
2024
NETL
NSTL
万方数据