Chinese literary and art criticism has developed its own unique system,characteristics,and discourse,encompassing a wide range of literary and artistic fields such as poetry,painting,calligraphy,music and dance.However,the"sinophilic"and"exclusive Western-centric"worldview that emerged in modem times has overlooked the uniqueness and heterogeneity of Chinese culture.Using Western civilization as the benchmark and Western theories as the meta-discourse has obscured,distorted,and devalued Chinese literary and art criticism,which itself is also a valid theoretical discourse.This article argues that reconstructing an autonomous Chinese literary criticism discourse is primarily about reshaping the worldview,the fundamental prerequisite for all disciplines(including the system of literary and art criticism)to break free from existing Western frameworks and engage in self-reflection and innovation.Reshaping the concept of civilization,and re-examining China's discursive system of literary and art criticism with a vision of intercultural dialogue,and re-presenting the dialogue and mutual construction of Chinese and Western literary criticism discourses"in history,""in the world,"and"in civilization,"and ultimately realizing an innovative and globally-oriented contemporary Chinese literary criticism discourse,is the key to constructing an autonomous Chinese discursive system for literary and art criticism.
关键词
文明观/文明互鉴/中国自主知识体系/文艺评论话语体系/变异学
Key words
concept of civilization/civilizational dialogue/autonomous Chinese knowledge system/discursive system of literary and art criticism/Variation Theory
维普
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