中国文艺评论2024,Issue(11) :101-110.

理念偏颇、标准错位和话语失范——关于当下戏剧批评学理品格之不足的反思

Bias of Concept,Dislocation of Standards and Anomie of Discourse:A Critical Reflection on the Lack of the Academic Character of Current Theatre Criticism

穆海亮
中国文艺评论2024,Issue(11) :101-110.

理念偏颇、标准错位和话语失范——关于当下戏剧批评学理品格之不足的反思

Bias of Concept,Dislocation of Standards and Anomie of Discourse:A Critical Reflection on the Lack of the Academic Character of Current Theatre Criticism

穆海亮1
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作者信息

  • 1. 陕西师范大学新闻与传播学院
  • 折叠

摘要

当下的戏剧批评存在学理品格的不足:文学本位的戏剧批评体现出批评理念的偏颇,话剧定势的戏曲批评彰显出批评标准的错位,而习焉不察的话语偏差则折射出语言表达的失范.反思这些问题,有助于优化戏剧批评的话语体系,从而使戏剧批评真正发挥其应有的文化功能.

Abstract

The current theatre criticism is lacking in academic character.Literary-oriented theatre criticism reflects the bias of critical concepts,while the fixed thinking pattern of drama on traditional Chinese opera criticism highlights the dislocation of critical standards.And furthermore,the habitual discourse deviation refracts the anomie of language expression.Reflecting on these issues can help optimize the discursive system of theatre criticism thus enabling it to truly fulfill its cultural function.

关键词

戏剧批评/学理品格/文学本位/话剧定势/话语失范

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出版年

2024
中国文艺评论

中国文艺评论

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