摘要
党的二十届三中全会明确提出要构建中国哲学社会科学自主知识体系.如何构建包括美术在内的艺术评论话语体系,必然就成为艺术界应该回答、必须回答的时代课题.本文着重从建构中国当代美术评论话语体系的理论之思、历史之脉和创新之维三个方面对此问题展开讨论.本文认为,创新自主的美术评论话语体系是建构中国式当代美术体系的重要组成部分.整体的艺术理论与评论的传统文脉是美术理论创新与话语体系创新不可或缺的资源与参照.在明确价值导向的前提下,赓续中国传统、立足中国实践、凝聚中国经验、面对中国现实、面向世界与未来,创构体现话语主体的价值诉求、精神观念、思维方式、艺术史观、表达范式的自成一体的中国当代美术评论话语体系,是文化自强精神的体现,也是文明互鉴视域中,中国美术理论评论家们应肩负的学术担当与时代使命.
Abstract
The Third Plenary Session of the 20th CPC Central Committee explicitly proposed the construction of an autonomous knowledge system for China's philosophical and social sciences.How to construct a discursive system of art criticism,including fine arts,has inevitably become a topic of the times that will be and must be answered by China's art circles.This article focuses on discussing this issue from the three aspects of theoretical thinking,historical lineage and innovative dimension in constructing the discursive system of contemporary Chinese art criticism.The author argues that an innovative and independent discursive system for art criticism is an important part of constructing a contemporary Chinese-style art system.The traditional context lineage of art theory and criticism as a whole is an indispensable resource and reference for the innovation of fine art theory and discursive system.Under the premise of clear value orientation,we should inherit the Chinese tradition.Also,based on Chinese practice,we should consolidate Chinese experience,confront Chinese reality,and face the world and the future.It is necessary to create a self-contained discursive system of contemporary Chinese art criticism that embodies the value aspirations,spiritual concepts,ways of thinking,artistic historical viewpoints,and expression paradigms of the main body of the discourse.It is the embodiment of the spirit of cultural self-improvement,and also the academic responsibility and mission of the times that Chinese art theorists and critics should take on from the perspective of the mutual learning of civilizations.
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