基于戏曲中叙事创作与身体运动的江南园林空间路径范式
The Spatial Path Paradigm of Jiangnan Garden Based on Narrative Creation and Body Movement in Traditional Chinese Opera
李旭 1王蕾 2龙毅湘3
作者信息
- 1. 湖南大学建筑与规划学院(长沙410082);湖南大学丘陵地区城乡人居环境科学湖南省重点实验室;湖南省地方建筑科学与技术国际科技创新合作基地(长沙410082)
- 2. 湖南大学建筑与规划学院(长沙410082)
- 3. 湖南省建筑设计院集团股份有限公司双碳工程研究中心;湖南省建筑绿色低碳工程技术研究中心(长沙410082)
- 折叠
摘要
园林与戏曲在叙事创作中以人的身体运动为共同关注点,表现出转换时空的类似叙事效果.对园林实例和戏曲表演的空间路径进行图解对比,得出连续转折、相间错动、闭环聚合和多环相扣4种基础空间路径范式,并在此基础上分析"环径"范式应对不同情境需求时的5种异变方式,进而总结出空间范式的功能特征即折叠扩大空间表达面、模糊空间的方向界限、控制视线焦点的聚散,指出"环径"范式可创新应用于当下园林与戏曲的沉浸式空间设计,为研究园林与戏曲互通的空间路径范式及设计创作提供借鉴.
Abstract
Garden and traditional Chinese opera share a common focus on human body movements in their narrative creation,exhibiting a similar narrative effect that transforms time and space.This article compares the spatial paths of garden examples and traditional Chinese opera performances through diagrams,and obtains four basic spatial path paradigms:continuous turning,staggered movement,closed-loop aggregation,and multi loop interlocking.Based on this,it analyzes the five different ways in which the"circular path"paradigm responds to different situational needs,and summarizes the functional characteristics of the spatial paradigm,namely folding to expand the expression surface of space,blurring the directional boundaries of space,and controlling the convergence and dispersion of visual focus.It is pointed out that the"circular path"paradigm can be innovatively applied to the immersive spatial design of current gardens and operas,providing reference for the study of spatial path paradigms and design creations for the interconnection between gardens and operas.
关键词
风景园林/戏曲/叙事创作/身体运动/江南园林/空间路径范式Key words
landscape architecture/opera/narrative creation/body movement/Jiangnan garden/spatial path paradigm引用本文复制引用
基金项目
湖南省社科基金一般项目(23YBA039)
湖南省自科基金-企业联合基金项目(2024JJ9068)
出版年
2024
NETL
NSTL
万方数据