摘要
音乐本体的具象存在从创作主体的思维中生发,凭借音乐语汇的组织协调而落实,其中的构建生成法则即音乐的修辞逻辑.亚里士多德的"质料"与"形式"学说为我们指明音乐的修辞逻辑本原是"音乐材料"与"音乐形式"的结合,以此来探究欧洲声乐音乐和器乐音乐构建的原则和方法,重点阐述纯器乐音乐的构建修辞逻辑——在一定调性布局内的主题呈现及其有效推进,将主题推进的手法归纳为五种方式,并由此来审视20世纪音乐的修辞逻辑.
Abstract
Music,as a material construct,emanates from the intellectual fabric of the creative subject,taking form through the systematic arrangement of its elements,founded upon an intrinsic rhetorical logic.Drawing on Aristotle's concepts of"matter"and"form,"this paper posits that the rhetorical logic of music is an amalgamation of"musical matter"and"musical form."Utilizing this framework,the study delves into the structural tenets of European vocal and instrumental music,with a particular focus on the rhetorical logic underpinning"absolute"instrumental music.This includes the strategic presentation of themes within a tonal architecture and their subsequent development.Five categorical methods of thematic implementation are delineated,serving as the analytical foundation for an investigation into the rhetorical logic prevalent in the music of the twentieth century.
关键词
逻辑/修辞/音乐本体/思维/诗—乐/主题/推进/反复/展开/繁衍Key words
Logic/Rhetoric/Music ontology/Thought/Poetry-Music/Theme/Progression/Repetition/Development/Derivation引用本文复制引用
出版年
2024
NETL
NSTL
维普
万方数据