Handheld musical instruments have been integral to the nascent stages of human civilization,notably in ancient territories such as Iraq,Iran,Egypt,and Greece.This study delves into the chronological progression of these instruments through a meticulous review and comparative analysis of archaeological findings.It accentuates the distinct morphological characteristics of handheld musical instruments across various timeframes.Concurrently,it elucidates the gender dynamics within performance ensembles,reflective of the broader cultural milieu.This exploration aims to forge a nuanced,historically grounded comprehension of the developmental trajectory of these instruments,alongside their profound humanistic and gender-related implications.
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