The"Seventeen-Year"period,a pivotal epoch in China's cultural history,witnessed the flourishing of Chinese animation,including 2D,paper-cut,origami,ink,and puppet films.In the wake of the People's Republic of China's founding,animated music reached an unprecedented peak,marked by its robust expression of nationalism,symphonic orchestrations,and widespread popularity.This study scrutinizes the formation and implementation of national literary and artistic policies of that era through the prism of literary and artistic scholarship.It explores the impact of prevailing literary and artistic doctrines on creative methodologies,placing emphasis on the role of music in these animated works.The discourse extends to an evaluation of the period's popular literature and art,specifically focusing on their trajectory towards"innovation and creation."
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