变调式理论体系探赜——以周文中《变》(Pien)为例
孙珂1
作者信息
摘要
变调式是周文中独创的一种新型调式,其结构和运用方面表现出很强的创新性和包容性,在他的创作中有着重要的结构意义并占据主导地位,成为其创作的重要依据.本文以周文中创作中期的代表作品《变》为例进行分析研究,以阐释作曲家如何运用变调式形成个人独特的创作风格,从而为我国当代音乐创作多元化的发展提供参考.
Abstract
Variable modes,pioneered by Chou Wen-chung,represent a novel modal system characterized by its innovative and inclusive structural design.These modes have not only assumed a central role in Chou's compositional strategy but have also become a foundational element across his body of work.This paper delves into'Pien',a seminal piece emblematic of Chou's mid-career compositions,to dissect the ways in which variable modes facilitate the formation of a composer's distinctive creative identity.By examining'Pien',the study aims to shed light on the contribution of variable modes to the diversification and evolution of modern Chinese composition,offering a theoretical foundation for future compositional exploration.
关键词
《变》/变调式/音高结构/创新性/包容性Key words
'Pien'/Variable Modes/Pitch Structure/Compositional Innovation/Inclusivity in Music Theory引用本文复制引用
出版年
2024
NETL
NSTL
万方数据