The article takes as the research object the last movement of Jia Daqun's large-scale Chinese instruments concerti suite-Traditional Operatic Circle,Rhapsody-The Spirit of the Tunes from the traditional Operatic circle(hereinafter referred to as The Spirit of the Tunes),on the basis of the study of the style and formal characteristics of the Shan local opera music.It analyzes in great details the composing techniques of The Spirit of the Tunes based on the Shan local opera style from three aspects:material motif shaping,the composition of the musical theme and the development,revealing the way Shan local opera style is presented in the process of pitch organization in this work.
Jia DaqunShan local opera styleTheme and motifTheme developmentNorthwest Folk Song Elements
NETL
NSTL
万方数据
维普
