The encounter between tradition and modernity is a familiar topic in both academic circles and society at large.For music performance,the core of this topic is the encounter of traditional music within modern interpretations.Social environments,community members,and their ways of life have changed,leading performers to embrace new cultural and musical educations.Consequently,notions and aesthetics of music,as well as performance practices and outcomes,have undergone corresponding changes.The judgment and selection of musical and rhythmic modes are influenced by solfège,ear training,basic music theory,and the"four major elements"of composition,including three types of modal systems and fixed tempos;timbre judgment and selection are influenced by bel canto and modem instrumental music;and the mode of making music is influenced by concert hall systems and the aesthetics of entertainment.The essence and spirit of traditional music are redecorated in modem performances,which in turn affect the listeners'musical perception,gradually leading to a music life reality where both influence each other and traditional music culture moves centrifugally.A directly related issue is how"double innovation"can protect the baseline and truly achieve maintaining integrity while innovating.Starting from education,cultivating an in-depth understanding,empathy,and sentiment for excellent traditional culture is of paramount importance.
Traditional MusicModern PerformanceVariationIntegrity and InnovationEthnicity
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