交汇·互融·共生——《丝竹小谱》曲调的源与流
Convergence,Integration,and Symbiosis:The Origins and Flow of Melodies in Sizhu Xiaopu
祝欣怡1
作者信息
摘要
本文聚焦迄今所见最早的江南丝竹工尺乐谱《丝竹小谱》,选择与之相关的清代、民国时期流行于江南地区的乐谱进行版本互证,从辑录曲目的原生分类及曲调旋律的流变状态可知丝竹谱本编撰的"经典化"思维和江南丝竹与其他江南乐种的具体交融状态,意在从谱本出发探知江南民间音乐的互融特征.
Abstract
This paper focuses on the earliest known Gongche notation score for Jiangnan Sizhu(silk and bamboo music),Sizhu Xiaopu.By comparing it with related scores from the Qing Dynasty and the Republic of China that were popular in the Jiangnan region,the study examines the original classification of collected melodies and the evolution of their tunes.This reveals the"classicization"mindset in the compilation of Sizhu scores and the specific integration of Jiangnan Sizhu with other Jiangnan musical genres.The aim is to explore the characteristics of mutual integration in Jiangnan folk music based on these scores.
关键词
《丝竹小谱》/江南丝竹/江南乐种/交融状态Key words
Sizhu Xiaopu/Jiangnan Sizhu/Jiangnan Musical Genres/Integration Status引用本文复制引用
基金项目
2019年度国家社会科学基金艺术学青年项目(19CD175)
2022年度浙江音乐学院实验室及科学研究平台开放基金资助项目一般课题(ZY2022M006)
出版年
2024
NETL
NSTL
万方数据