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民国琴家吴浸阳生平及琴事述考

A Study on the Life and Guqin Artistry of Republic Era Qin Master Wu Jinyang

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吴浸阳民国时期曾活跃于苏、沪琴坛,但相关史料很少,所存讹误、疑问颇多.本文依据民国时期报刊及地方史志等史料,对其人生轨迹、琴事活动、古琴传承、斫琴等问题进行梳理和考辨.吴浸阳曾参加怡园、晨风庐琴会及精武会、行余文社等社会团体的古琴活动,其交游广泛,梅兰芳、史量才妻儿等皆曾从他学琴,其弟子中比较重要的有李明德、赵云青、吴兆基等,并斫有六十四卦琴.吴浸阳身具琴家、医士、道士多重身份,后虽然还俗,但修道却是他终生的追求.
Wu Jinyang was active in the guqin community of Suzhou and Shanghai during the Republic era.However,historical data concerning him are scarce,and the existing materials contain many errors and ambiguities.This paper,based on newspaper and local chronicle documentation from the Republic era,investigates and verifies his life trajectory,guqin activities,guqin heritage,and qin making.Wu Jinyang participated in guqin activities within social groups such as Yi Garden,Chenfenglu Association,Jingwu Association,and Xing Yu Literary Society.His social network was extensive,and many luminaries,including Mei Lanfang and the family of Shi Liangcai,learned guqin from him.His prominent disciples included Li Mingde,Zhao Yunqing,and Wu Zhaoji.Additionally,he crafted 64 qins,each named after one of the Sixty-four Hexagrams.Wu Jinyang wore multiple hats as a qin master,physician,and Taoist.Although he returned to secular life,the pursuit of Taoism remained his lifelong ambition.

Wu JinyangGuqinQin Making

章华英

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中央音乐学院音乐学研究所

吴浸阳 古琴 斫琴

中央音乐学院2019年度重点科研项目国家社科基金冷门绝学研究专项学术团队项目

20VJXT007

2024

中国音乐
中国音乐学院

中国音乐

CSTPCDCSSCICHSSCD北大核心
影响因子:0.372
ISSN:1002-9923
年,卷(期):2024.(4)
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