万物归元 天人合一——张小夫《雅鲁藏布》研究
All Things Return to the Unity of Heaven and Man:Research on the Creation of Composer Zhang Xiaofu's Work Yarlung Zangbo
王铉 1马为骁1
作者信息
摘要
作曲家张小夫创作的《雅鲁藏布》作为国家艺术基金滚动资助项目——《梵天净土》多媒体交响音乐会中篇幅最长、编制最大的作品,以其融合大型交响乐团、视觉影像及电子音乐所形成的多重媒介属性,加之作品内部丰富的符号象征,造就了其独特的创作、表演及传播意义.本文聚焦于创作层面,对该作品的核心素材、结构及素材组织特征进行深入剖析,进而探究其创作背后所隐藏的内涵,旨在为我国相关类型的作品提供思考与借鉴.
Abstract
Yarlung Zangbo,created by composer Zhang Xiaofu,is the longest and largest work in the multimedia symphony concert Brahma Pure Land,funded by the National Art Fund.With its integration of large symphony orchestras,visual images,and electronic music,as well as the rich symbolic elements within the work,it has established its unique significance in terms of creativity,performance,and dissemination.This paper focuses on the study of Yarlung Zangbo at the level of creation,analyzing the core material,structure,and organizational characteristics of the piece.It then explores the hidden connotations behind its creation,aiming to provide insights and references for similar works in China.
关键词
张小夫/《雅鲁藏布》/多媒体交响乐/电子音乐Key words
Zhang Xiaofu/Yarlung Zangbo/Multimedia Symphony/Electronic Music引用本文复制引用
出版年
2024
NETL
NSTL
万方数据