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龟兹石窟伎乐壁画研究的新问题、新方法、新材料

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国内对于龟兹石窟的研究起步较晚,于伎乐壁画研究而言,20世纪80年代《丝路花雨》掀起的"仿古热",催生舞台创作从面向艺术形象区域标识的求索到朝向文化价值理性回归的求证,走向伎乐壁画研究的长足之路.1996年,《中国音乐文物大系·新疆卷》作为龟兹石窟伎乐壁画研究的标志性成果,打开了该话题的研拓.本文首先对学术史进行梳理,分析研究话题的聚焦和困境;其次以问题入手,探讨研究瓶颈,在受到形象史学影响下,提出龟兹石窟伎乐壁画"新方法"的五个途径并予以讨论;最后结合"新材料"的认识与分享,提出研究"新问题"的几点假设,以期为龟兹石窟伎乐壁画研究贡献微薄之力.
New Issues,Methods,and Materials in the Study of Jiyue Frescoes in Qiuci Caves
Domestic research on the Qiuci Grottoes started late.In the 1980s,research on Jiyue(music and dance)frescoes was invigorated by the influence of"Silk Road Flower Rain",which ignited an"antique fever"towards Jiyue fresco research.This led to stage creations inspired by artistic imagery and regional identification,marking a rational return to the cultural value of the evidence.The publication of"Chinese Music Heritage Series-Xinjiang Volume"in 1996 was a significant achievement in the study and development of Jiyue frescoes.This paper first analyzes the academic history of the grottoes,highlighting the focus and dilemmas of the research topics.It then explores the research bottlenecks related to the historiography of images under the influence of Qiuci Jiyue frescoes and discusses five new approaches.Finally,by incorporating new materials,it addresses the new issues and assumptions in this field,aiming to make a modest contribution to the study of Qiuci Jiyue frescoes.

Qiuci GrottoesJiyue FrescoMusic and DanceImage Historiography

肖尧轩

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新疆师范大学

陕西师范大学

龟兹石窟 伎乐壁画 乐舞 形象史学

2024

中国音乐
中国音乐学院

中国音乐

CSTPCDCSSCICHSSCD北大核心
影响因子:0.372
ISSN:1002-9923
年,卷(期):2024.(5)