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从共鸣箱形态看新疆热瓦普乐器历史溯源问题

The Problem of Tracing the History of the Xinjiang Rewap Musical Instrument from the Form of the Sound Box

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本文探讨了新疆热瓦普乐器的历史溯源问题,揭示热瓦普乐器在新疆多元文化格局中的丰富演变和发展历程.通过对新疆热瓦普乐器共鸣箱形态辨识,将其分为半球状共鸣箱、圆盘状共鸣箱和双共鸣箱三种形态,进而以共鸣箱形态寻根究底,从历史图像追溯热瓦普乐器的历史脉络,认为新疆热瓦普是中华文明、印度文明和两河文明交流融合的结晶.作为新疆民族乐器文化的代表,热瓦普一直处于动态的文化交流之中,不仅体现了新疆文化的多元性,而且凸显出新疆乐器内蕴的文化一体性.
This paper explores the historical origins of the Rewap musical instrument in Xinjiang,revealing its rich evolution and development within the multicultural context of the region.By examining the sound box of the Xinjiang Rewap musical instrument,it can be categorized into three forms:hemispherical sound box,disc sound box,and double sound box.By using the form of the sound box,this study traces the historical context of Rewap musical instruments through historical images.It is believed that the Xinjiang Rewap is the result of the exchange and integration of Chinese civilization,Indian civilization,and Mesopotamian civilization.As a representative of Xinjiang's national musical instrument culture,the Rewap has been part of dynamic cultural exchanges,reflecting the diversity of Xinjiang's culture and highlighting the inherent cultural unity of Xinjiang musical instruments.

RewapHistorical OriginExchange of CivilizationsThe Qiuci Grottoes

刘沛东

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新疆师范大学音乐学院

热瓦普 历史溯源 文明交流 龟兹石窟

2024

中国音乐
中国音乐学院

中国音乐

CSTPCDCSSCICHSSCD北大核心
影响因子:0.372
ISSN:1002-9923
年,卷(期):2024.(5)