首页|以阴阳为核,融书法写意——周文中《草书》变调式运用探析

以阴阳为核,融书法写意——周文中《草书》变调式运用探析

扫码查看
周文中先生以易经文化中的阴阳原理构建8种基础调式,以卦象不断"变化"的现象构建调式配套手法①,以书法艺术中的行书运笔构建调式形态.本文以作品《草书》为例,一方面将变调式构建草图与卦象推演过程相结合,进一步推敲变调式的构建思路,另一方面结合作品中的调式布局,以卦象所衍生的三种转换关系阐述变调式运用的配套现象及其融入"书法语言"的运用特征.
Integrating Calligraphy and Writing Around the Core Concept of Yin and Yang:An Analysis of the Use of Variable Modes in Cursive Script by Chou Wenchung
Chou Wenchung constructs eight basic modes based on the principles of Yin and Yang in the culture of the Ⅰ Ching.He uses the phenomenon of continuous"changes"in the hexagrams to create combinatorial techniques for the modes and employs brushwork in calligraphy art to construct the forms of the modes.This paper takes the work Cursive Script as an example.On one hand,it combines the construction process of the variant modes with the deduction of hexagrams,further exploring the ideas behind the construction of variant modes.On the other hand,it analyzes the layout of the modes in the work and elucidates the combinatorial phenomena of the application of variant modes based on the three transformational relationships derived from the hexagrams,as well as their integration with the language of calligraphy.

Chou WenchungYin-Yang PrincipleEight TrigramsVariable ModesCalligraphic Art

叶檬、石磊

展开 >

安徽师范大学音乐学院

周文中 阴阳原理 八卦 变调式 书法艺术

2024

中国音乐
中国音乐学院

中国音乐

CSTPCDCSSCICHSSCD北大核心
影响因子:0.372
ISSN:1002-9923
年,卷(期):2024.(5)