首页|"鸢飞鱼跃":一个理学隐喻的生成

"鸢飞鱼跃":一个理学隐喻的生成

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在重绘中国哲学之思想图景的当代进程中,开拓道学话语的研究空间是极为有益的探索.以"鸢飞鱼跃"为例,它本是《诗经》比兴修辞手法的运用,但经过子思"断章取义"的创造性解读后,逐步脱离诠释文本而进入使用文本.汉宋之间的经学家与理学家出于维系政教或发明心性的不同考虑,分别对"鸢飞鱼跃"作了方位隐喻和本体隐喻两种差异化的概念结构改造.相较而言,二程、朱熹等人以诗思合一、情理交融的方式,从本体、工夫、境界、价值等方面系统阐发"鸢飞鱼跃"的隐喻意涵,将之塑造成具有诗性审美气质的儒者生命存在之精神符号,在思想史上影响尤为深远.借鉴当代隐喻学的前沿理论,阐发经典文本中的诗性智慧,或许更能揭示出中国哲学寓道于器、即事言理的精神传统,亦有助于在返本开新、中西互鉴的基础上建设中华民族现代文明.
"Kite-flying and Fish-jumping":Generation of a Neo-Confucian Metaphor
In the contemporary process of reconfiguring the ideological landscape of Chinese philosophy,exploring the research space of Neo-Confucianism discourse proves to be a highly beneficial endeavor.Previous investigations into Neo-Confucianism discourse have predominantly focused on abstract discourse systems such as concepts and categories,often neglecting metaphors grounded in everyday life experiences.Consequently,the profound spiritual and practical implications of Chinese philosophy remain inadequately unearthed.Taking the metaphor"kite-flying and fish-jumping(Yuanfei Yuyue)"as an illustrative example,originally an employment of metaphorical rhetoric in The Book of Songs praising King Wen's ancestral sacrifices and subsequent blessings,it underwent a creative reinterpretation by Zisi through"taking the meaning out of the context",extending its scope to describe the virtues of the sage as an exemplar of rites and music.Gradually distancing itself from the"interpreting a text",this discourse transitioned into the realm of"using a text",significantly enriching and expanding its conceptual implications.Motivated by distinct considerations related to maintaining political and educational order or inventing the nature of the mind-heart,the Confucian scholars of the Han Dynasty and Neo-Confucian scholars of the Song Dynasty undertook differentiated conceptual restructuring of the metaphor"kite-flying and fish-jumping".This resulted in the transformation of the metaphor into two divergent conceptual structures:the orderly"oriental metaphor"and"ontological metaphor".In comparison,figures such as the Cheng brothers and Zhu Xi employed an integrated approach that harmonized poetry and thought,emotion and reason.They systematically expounded the metaphorical implications of"kite-flying and fish-jumping"in terms of ontology,effort,spiritual realm,and value.In doing so,they fashioned it into a spiritual symbol of the Confucian life imbued with poetic aesthetic qualities.This transformation not only highlighted the Confucian life sentiment of"forming one body with all things",but also guided later scholars on the practical path of"the sage that can be reached by learning",leaving a profound influence on the history of thought.Despite interpretive differences in the understanding of"kite-flying and fish-jumping"between the scholars of the Han and the Song Dynasties,they fundamentally adhered to the metaphorical generation mechanism of cross-domain mapping.In the process of migration from the source domain(kite and fish)to the target domain(rites and music or principles of heaven),Confucian scholars of the Han and the Song Dynasties undertook the construction of political indoctrination or the morality of the heart.Through continuous reinterpretations by thinkers throughout the ages,"kite-flying and fish-jumping"eventually evolved into a concrete and palpable"poetic metaphor",vividly showcasing the poetic philosophical dimension of harmoniously integrating truth and beauty within Chinese philosophy.Over an extended period,under the predominant influence of Western logical thinking that emphasizes causal relationships,Chinese culture has often been perceived as characterized by associative thinking centered on empathy and analogy.The mode of apprehending objects by proximity and discerning reality through resemblance has been exemplified as a basic method of understanding the world by the ancient Chinese.However,this is not a vague pre-modern or anti-scientific primitive thought process.Instead,it possesses distinctive grammatical generation mechanisms and social practice implications.Drawing on contemporary theories of metaphor,an exploration of the poetic wisdom embedded in classical texts may offer a more insightful revelation of the spiritual tradition in Chinese philosophy that embeds the Tao in artifacts and articulates principles through concrete matters.This endeavor could contribute to the construction of a modern Chinese civilization on the basis of returning to the roots while forging new paths,and facilitating mutual learning between Eastern and Western traditions.

kite-flying and fish-jumpingtaking the meaning out of the contextpoetic metaphorNeo-Confucianism discourse

韩书安

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浙江大学哲学学院,浙江杭州 310058

鸢飞鱼跃 断章取义 诗化隐喻 道学话语

国家社科基金重大项目

18ZDA019

2024

浙江大学学报(人文社会科学版)
浙江大学

浙江大学学报(人文社会科学版)

CSTPCDCSSCICHSSCD北大核心
影响因子:1.431
ISSN:1008-942X
年,卷(期):2024.54(2)
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