首页|"科幻西方"的一种解构——阿瑟·克拉克作品中"沉默巨物"意象的美学思考

"科幻西方"的一种解构——阿瑟·克拉克作品中"沉默巨物"意象的美学思考

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作为一种以西方意识形态为背景的类型文艺,科幻小说中长期充斥着以"西方中心论"为特质的话语.而英国作家阿瑟·克拉克则在其科幻创作中,有意无意地呈现了对"科幻西方"的一种解构.这尤其鲜明地体现于他围绕"沉默巨物"意象展开的三种美学演绎:通过重新塑造飞船悬停于城市上空的场景,克拉克将欧洲文学中的神学哲思传统与科幻题材相融合;他对外星文明遗迹的描绘,在宏大尺度上消解了西方文明的例外论;他对"太空电梯"的格外推崇,则进一步反映了他在技术时代的浪漫主义理想.以阿瑟·克拉克为例,我们可以看到真正有价值的科幻创作,需要在解构"科幻西方"的基础上实现超越.
A Deconstruction of the"Science Fiction West":Aesthetic Interpretation of the Big Dumb Objects Image in Arthur C.Clarke's Works
As a genre literature based on Western ideology,science fiction has long been filled with the discourse of Western-centrism.However,the classic works of British writer Arthur C.Clarke has presented a deconstruction of the"Science Fiction West",unconsciously and intentionally.And'it is particularly evident in his three aesthetic interpretations of the"Big Dumb Objects"image.By reimagin-ing the scene of a spaceship hovering over the city,Clarke fuses the theological and philosophical tradi-tions of European literature with science fiction themes His depiction of the ruins of alien civilizations dissolves the Western Exceptionalism on a grand scale And his extraordinarily high regard for the Space Elevator further reflects his romantic ideals in the technological age Taking Arthur C.Clarke as an ex-ample,we can see that a truly transcendent science fiction always deconstructs the"Science Fiction West"first.

Arthur C.Clarkescience fictionscience fiction westimagebig dumb objects

徐岱、盛政经

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浙江大学传媒与国际文化学院

浙江大学美学与批评理论研究所(杭州310058)

阿瑟·克拉克 科幻小说 科幻西方 意象 沉默巨物

2024

浙江社会科学
浙江省社会科学界联合会

浙江社会科学

CSTPCDCSSCICHSSCD北大核心
影响因子:0.677
ISSN:1004-2253
年,卷(期):2024.(1)
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