首页|重读瓦尔堡:被忽略的图像叙事建构

重读瓦尔堡:被忽略的图像叙事建构

扫码查看
在瓦尔堡的图像学思想中,图像的叙事建构是他一直关注的主题,也是一个被学界所忽略的话题.瓦尔堡提出"运动附属物"概念,在图像细节边缘处寻找符号的叙事隐义.瓦尔堡认为图像叙事隐藏着古代世界的文化遗存,这种文化遗存通过"情念程式"和"极性"的形式表现出来.瓦尔堡的图像叙事呈现出互图叙事的特点,他通过图像间的对话,以蒙太奇的方式展示图像群的互动意义建构.瓦尔堡的研究呈现出跨学科的视域,他试图运用一切可以获得的理论资源,建立一种他称之为"文化科学"的研究范式.瓦尔堡的图像叙事思想提供了图像学研究的新的参照系,它从一个新的角度展现了不同学科面对同一主题的互证与互释关系.
Rereading Warburg:The Neglected Construction of Image Narrative
In Warburg's iconography thought,the narrative construction of images is a theme that he has always been concerned about,and it is also a topic that has been ignored by the academic com-munity.Warburg proposed the concept of"Accessory Forms in Motion"to find the narrative hidden meaning of symbols at the edges of image details.Warburg believed that the cultural relics of the ancient world are hidden in image narratives,and this cultural relics are expressed in the form of"Emotive For-mula"and"Polarity".Warburg's image narrative exhibits the characteristics of inter-picture narrative.He uses dialogue between images to demonstrate the interactive meaning construction of image groups in the form of montage.Warburg's research presented an interdisciplinary perspective,and he attempt-ed to use all available theoretical resources to establish a research paradigm he called"Kulturwissenst-chaft."Warburg's idea of image narrative provides a new frame of reference for iconography research.It shows the mutual verification and mutual explanation relationship between different disciplines facing the same theme from a new perspective.

Warburgdetailed narrativeinter-picture narrativeinterdisciplinary paradigm

杨向荣、孙元

展开 >

杭州师范大学文艺批评研究院、人文学院

杭州师范大学美学与艺术批评研究中心

杭州师范大学人文学院(杭州 311121)

瓦尔堡 细节叙事 互图叙事 跨学科范式

国家社会科学基金

20BZW027

2024

浙江社会科学
浙江省社会科学界联合会

浙江社会科学

CSTPCDCSSCICHSSCD北大核心
影响因子:0.677
ISSN:1004-2253
年,卷(期):2024.(5)
  • 19